The ever-evolving mediums of the music industry or musings of a cynical artistic talent, well past his prime.
Wednesday, September 25, 2013
Photos about myself
So I'm picking these photos to represent me because music and the studio is my job and basically my life. Something I love to do and something I get paid to do. The first one is Randy Burlingame editing vocal tracks as I listen and the other is the mixing board where all the magic happens.
Thursday, September 12, 2013
Vinyl Is The New Baseball Card
From 8-tracks to cassettes to CD’s
to MP3’s, few musical formats are still relevant or even financially smart if
you are a local band or label. However, vinyl is a format that is both
artistically sound and also making one of the biggest comebacks in history.
According to a New York Times article, vinyl sales have been up every year since 2005 and up 18%
percent since 2012 alone.
Though,
that is only still 1.4% percent of the market share (which is mostly digital
these days), it still begs the question, “how long can this last”? It seems that
most hardcore fans want this very collectible item of vinyl, which are limited
to certain pressing and colors. There are literally hundreds of different
colors you can put on the actual vinyl records themselves. They range from coke
bottle clear, to red splatter, to any combination of designs or colors.
This adds
to the hipness of the “vinyl record”. When music is widely available everywhere
from your computer or smartphone or tablet at such places as illegal streams or
download sites, Youtube, Spotify, Bandcamp, etc… then the exclusivity that
makes bands “cool” is pretty much gone. Now when you can say “I have a limited
edition split 7” record of XbandX, which by the way, has only 50 copies ever
made on green vinyl”, then you get some of that exclusivity back.
Now a lot
of people who aren’t even fans are going online and pre-ordering these limited
edition copies and reselling them on Ebay and taking advantage of the hardcore
fans these vinyl records draw in. So be careful if you happen to overpay for
your favorite bands record on Ebay for 150 bucks when someone already bought it for
$12.
Is vinyl
the new baseball card? Do bands have to put out digital, CD, and Vinyl to cater to
all of their fan bases or even have a chance to reach everyone’s taste buds?
With "vinyl only" labels sprouting up out of the woodwork it seems as if this
craze is only becoming bigger as time goes on. Will this counterculture save
the “physical copy” as major labels thought of discontinuing the CD as early as 2012 ?
A Short and Thorough Overview
My name is Joseph Urban and what I am
most passionate about is music. The subtle nuances of every word and how they
ebb and flow over seducing chords and brazen melody is what gets me through the
day. Whether it happens to be the simplistic pop song on the radio or the
strumming stomping hardcore beat from the local VFW hall…I try to incorporate
that into my life.
I’ve been in multiple facets of the music
industry. From artist, to manager, to random tour merchandise runner, and even
label owner. These jobs inspire me to learn more about what pushes music to
become popular or even financially stable.
Knowing that you must partake in many
jobs in the music industry to truly be a self-sustaining band or label is
something I try to learn about everyday. What makes each label better than the
next? How do you grow a band from square one? What is more important these
days, substance or style? All of these questions are completely subjective and
hopefully I can keep true to my roots while answering these questions on my
own, while keeping moral integrity in check.
While we see digital taking over the
physical platform of CD’s, we have also seen jumps of over 300% increases in
vinyl the last few years. This niche medium fell off the edge when the CD was
invented in 1983 and even more so when the mp3 came out (the digital
counterpart of the CD). Though, now we have the younger generations holding
this piece of plastic in their hand and valuing it as a piece of art and not
just some hip alternative to the digital age.
I do feel that music genres and styles
run in phase and cycles. When something becomes too popular a counter-culture
will strike up and inherently strike down the “more popular” genre. You’ve seen
this with the start of punk rock in 1977, the start of grunge in the late
80’s/early 90’s, and slightly with the resurgence of punk in the form of
post-punk/post-hardcore in the early 2000’s to combat the reign of the
Backstreet Boys and N’Sync.
I would have to bit my tongue if I ever
said “Those days are long over when a “man-made” group of young boys can take
over the Billboard charts”, because I would be completely wrong as for every
counter-culture act there has to be a Miley Cyrus or Justin Bieber or One
Direction. To me and many others who have these unwritten rules of music, it’s
almost like this manufactured sound will always have its' place in music.
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